One man. Three worlds. A life full of wit and imagination.
In 1952, he could have lived anywhere. He chose this place.
A hillside above Lake Geneva in the Swiss Riviera, the mountains on the far shore,
and the quiet he had never had before.
He wrote here. He composed here.
With his wife Oona, he raised their children here, and he stayed until the end.
The place he chose is still standing, still open, and still very much alive.
This is a place to spend time in, not rush through.


For the last twenty-five years of his life, the Manoir de Ban was home to Charlie Chaplin, his wife Oona and their eight children.


Inside, the scale of the house gives way to something much more intimate. You’ll discover the library, reception rooms, bedrooms, and tall windows opening onto the landscape : family photographs, handwritten notes, personal belongings and familiar objects draw you closer to the life that unfolded here every day.
You also meet Chaplin in conversation with his century: through letters, encounters and exchanges with some of the most influential figures of his time.
The public figure gradually makes room for someone more private: a husband, a father, a man surrounded by family, and an artist who kept creating until the end.
There is enough detail here to slow you down. A photograph, a note, a room seen differently the second time around.

"We love Switzerland more and more each day."
Charlie Chaplin in a 1954 letter to his friend, American playwright Clifford Odets.


Across 1,350 square metres, the Studio takes you from one cinematic world to another: a street, a circus, and settings inspired by films such as The Kid, Modern Times and The Great Dictator.


The journey continues to Hollywood Boulevard, where Chaplin’s extraordinary success and influence on cinema were ultimately honoured with a star on the Hollywood Walk of Fame.
The visit is immersive and playful. Sets move, optical devices reveal their tricks, and installations invite you to try things for yourself. Scene by scene, you begin to understand how Chaplin worked with framing, timing, movement and visual comedy.

"It is not reality that matters in a film but what the imagination can make of it."
Charlie Chaplin, My Autobiography


Around the Manoir, century-old trees, Lake Geneva, the Alps.
Walk without rushing. Talk, read, let the children run, or stop and look up. You can cross the park on your way from one space to another, or stay far longer than you planned.


Left to itself, the park is a place to wander. Then, a few times a year, it becomes something else entirely. Music at dusk, light where there was none, installations that appear along the paths and leave again a few weeks later. Some of it you plan for. The rest arrives while you are looking elsewhere.
There is no single way to spend time here. It is never quite the same place twice. He knew that before anyone else.

"With such happiness, I sometimes sit out on our terrace at sunset and look over a vast green lawn to the lake in the distance, and beyond the lake to the reassuring mountains, and in this mood think of nothing but enjoy their magnificent serenity."
Charlie Chaplin, My Autobiography

In the garage where the Bentley used to be.
Books, prints, posters and objects drawn from Chaplin's life and work. The bowler hat and the cane, of course, for those who have been waiting for them since the first room.
Alongside them, limited editions and collaborations with artists, designers and houses chosen one by one, for what they create and for how they create it.
Objects to keep, to give, or to hold on to for later.
Some people come in for a souvenir. Some leave with something they had not planned.

Sit down. Stay a while.
Between the Manoir, the Studio and the Park, a coffee or a lunch awaits. Indoors or on the terrace, there is a table waiting for you.
The menu is short and made fresh, with a few Swiss classics. A conversation that runs longer than expected. A shared moment to remember.

Everything you need to know before you arrive.
Opening hours, tickets, access and practical information, so you can focus on the experience.
Opening hours vary with the seasons, generally from 10 AM to 6 PM or 5 PM, with shorter winter hours. Chaplin’s World will be closed on January 1, 2027 and from January, 11 until January, 22 2027.
From Vevey SBB station, take bus 212 to the “Chaplin” stop. The journey takes around 15 minutes.
Yes. Chaplin’s World is about five minutes from the A9 motorway exit. Parking costs CHF 5 per day with an admission ticket.
Two EV charging points are available in Car Park no. 1. Please bring your own charging cable.
Most of the site is accessible, with lifts and stable flooring. One wheelchair is available on request. Please contact us in advance to confirm its availability. Some areas of the gravel car park have gradients of more than 10%. Reduced admission rates are CHF 25 for adults and CHF 17 for children with disabilities.
Tickets can be booked online or purchased at the ticket offices. Phone orders are not available.
Free WiFi is available at The Shop and at the entrance to the Manoir.
No. Picnics are not permitted in the park or on The Tramp Café terrace. Picnic tables are available at the edge of the forest, near Car Park no. 3.
The following payment methods are accepted: cash in Swiss francs, coins and banknotes; banknotes in Euros, change in Swiss francs, at the day's current exchange rate; credit and debit cards, namely Mastercard, Visa, American Express, Diners Club, JCB, UnionPay, PostFinance Card and Maestro; and TWINT. Cheques and other currencies are not accepted.
